OVERVIEW

Students will make a clay model of the nose and then draw it. They will learn insights about the form of the nose and how to shade it. Then they’ll use reference to draw eyes and nose together.

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Grades 6-12

Week of Feb 17 –  21

1 Hour & 45 Minutes

Lesson At A Glance

Here’s a brief overview of the complete lesson. It’s also on your prep page in the Ready, Set, Go! section (below the lesson).

Colored buttons jump to each section in the full lesson plan below.

10 Minutes – Draw nose from memory

27 min – Follow along to sculpt nose

5 min – Discuss shadows & shapes

10 min – Artists draw model – no lines

 10 min – Find shadows & shapes in reference

40 min – Use reference to draw

2 Min – Everyone helps

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SCROLL & TEACH

LESSONPLAN

Each section is a different color. Read over once and then you can SCROLL & TEACH using any device you like. It’s designed to work well with your phone.

STEP 1. Warm Up

Students will warm up by drawing a nose from memory
10 Minutes

LEARNING TARGETS

Students know how to draw from memory

M A T E R I A L S

  • 14″ x 17″ sketch pad
  • 4B pencil
  • White and kneaded erasers

All materials are suggestions and may be modified as you see fit. We have tried many items, and these seem to allow the most versatility for the cost.

1.1 draw

Draw

  • Realistic but without looking at friends or reference.
  • Sign with date and time. Write, “from memory”

1.2 teach

Intro to the noseWait until artists are about halfway through, and then display the slideshow and read the teacher talk below.

The Unimportant Nose (tap any image to open viewer)

“I want to explain some things about the nose. To do that I really need your attention for a moment while you are shading in. If you are finished, just sit and listen.

The nose is different from every other thing you will ever draw.

Let me repeat that. The nose is different. Drawing it takes a different approach than drawing anything else. You won’t hear this from other artists, but the people who draw faces well know that they draw it with a different approach, they just don’t usually acknowledge the fact that they do. Maybe not even to themselves. Here’s the deal: the nose is not important.

You see, the nose is something people do not want to see or think about. Even in a portrait that is realistic, the nose is the least important thing. Combine that with the fact that the nose is mostly a shapeless lump that you can’t even describe easily, and has very few edges or shadows, then it becomes something you can almost ignore.

You’ll see this in anime and other somewhat realistic cartoons. The nose is drawn as a small triangle of shadow underneath it. The nose from the front is almost non-existent. But that’s what works.

In emojis, they don’t even use a nose because it doesn’t show emotion!

If there is one thing I want you to take away from the lesson today, it’s that the nose should be downplayed in your artwork. You will resist this fact, because you have the impression that you must somehow make the nose rise up off the page. You think the nose is big, so you will want to make it more than it looks like. This is the main error that artists make when drawing faces. You must do the opposite of what you think.

The nose is not very important.”

Teacher Talk

Read verbatim or paraphrase

Advanced Student Lesson

CREATIONS - tap here to open

Our Creations lessons are for students who have completed the two years of Foundations and are ready to begin using all that they have learned to create new work. These more challenging versions of the same concepts and techniques are easily taught along-side students in the Foundations course. This allows for excellent review, and is encouraging for students to see progress from each viewpoint.Use the Student Instructions printout below to distribute to your Creations students. Tap the image to open the PDF in a new window.

Portrait Painting or Artists’ Choice

Overview: Students choose their own reference and create an artwork based on their own planning and vision.Step 1. Choose reference options and create some warmup sketches.Step 2. Create several ideas for composition with thumbnail sketches. Plan paintings or drawings.Step 3. Guide lines on chosen surface(s).Step 4. Create artwork.

Print

Tap image to open Creations Student Reference Materials in new windows. 7 Page PDF.

Use this button to jump down to the preparation section.

STEP 2. Clay Model

Artists follow directions and your example to sculpt a nose from clay.
27 Minutes

LEARNING TARGETS

Students know how to sculpt a 3D object

M A T E R I A L S

  • 11″ x 17″ copy paper for placemat
  • Ebony pencil
  • White and kneaded erasers
  • Cheasel reference stand & clip
  • Clay
  • Nose Directions PDF (below)

M A T E R I A L S

  • 11″ x 17″ copy paper for placemat
  • Ebony pencil
  • White and kneaded erasers
  • Cheasel reference stand & clip
  • Clay
  • Nose Directions PDF (below)

2.1 Print

Reference

Sculpting the Nose

Cut images apart and print enough for each student.

Hand out reference prints.

PRINT

1 Page – Opens in new window

2.2 DEMO

Learn the Demo or play video

Tap the 4 arrows icon to enlarge the video to full screen. NOTE: if you show the demo to your class, DO NOT allow students to work while watching. The demo is too fast for that. Stop after a few steps and have everyone do them together. Then continue playing the video for a few more steps.

Review the demo video and demonstrate to your students, or you can simply display the video on a larger screen for them to watch.

  • Warm up the clay. Twist apart into smaller pieces. Large chunks can’t be shaped.
  • Hand out the “Sculpting the Nose” instruction page PDF (print at least one for every 2 students to share between them).
  • As they work, explain about the nose: It’s a really weird shape and people try to make too much of it. You do not ever want to make the nose more than it is, instead make it less. We really don’t like to look at noses. It’s just a lump without much definition.
  • Clay works slowly, so you can’t make big changes. Only lots of small ones.
    1. Make 3 golfball sized balls – a little larger is better than too small this time
      1. Flatten one into a rectangular cookie shape for base. Turn as you pinch to flatten it.
      2. Shape the other into a triangle shape that looks like a slice of pie or brie.
      3. Place the triangle on base as shown on the instruction sheet Figure 1
        • D E M O – Show next 2 steps up close and then have students do them. You can use the video and pause it as needed.
    2. Make structures. These will not look like the nose, but will aid in sculpting it.
      1. Divide 2nd golfball into two equal lumps.
      2. Roll one lump into a log and pinch into 3 smaller equal lumps. Roll these into little balls
      3. Divide the other lump in two, and roll each into a short log shape
      4. Place logs on each side of triangle as shown in Figure 2
      5. Place 3 little balls as shown in Figure 3, and begin to press the logs, making them join into the triangle and the base.
    3. Make a triangle that will become the little bridge under the nose (called the columella).
      1. Pinch off a small piece from the 3rd golfball and make a little ball like the 3 you just made
      2. Shape it into a mini-version of the triangle pie shape
      3. Place it on the structure as shown in Figure 4
        • D E M O – shaping and sculpting the nose & making a stand – then students finish theirs
    4. Press gently all over to blend all of the shapes, being careful to not press too hard or you’ll lose the overall shape. See Figure 5.
    5. Sculpt the nose as shown in Figure 6. Look in a mirror and try to make a nose that looks more realistic. It doesn’t need to look like your own nose, but reference helps. Move your head around so you can see different angles.
      • NOTE: the nostrils are like little caves, and the entrance is the base. They’re also shaped like commas.
    6. Use the rest of the last golfball to form a log-shaped stand and place your sculpture vertically

“Make sure you keep your clay on the paper mat at all times. In fact, always keep your clay over the mat, and do not play around with it. It can get ruined with dirt if it falls on the floor.Clean your hands by wiping off as much of the clay as possible with a paper towel before you wash with soap and water.”

Teacher Talk

Read verbatim or paraphrase

2.3 sculpt

Have everyone follow along

Go through the steps on the PDF directions. Make sure you have one of your own so you say the same things they see on the page.

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STEP 3. Instruction

Students will look at how light & shadow affect the shapes of the nose
5 Minutes

LEARNING TARGETS

Students know how to see light and shadows

M A T E R I A L S

  • 14″ x 17″ sketch pad
  • Reference photo on stand
  • 2B pencil
  • Lamps if possible
  • Kneaded eraser
  • Clay nose

3.1 teach

Use a lamp for Demo

Place lights. Gather around to show how the light hits the sides of the nose. Use a pencil to point out the shadows as you talk.

  • There is NO LINE on the side of the nose looking from the front.
  • There may be a shadow on one side of the nose. But it always has a soft edge, not a hard line.
  • Most of the shadows are underneath the nose.
  • There are sphere-like on shadows and a highlight on the round tip.
  • There is most often an OFF shadow underneath the nose, on the upper lip. It’s triangular.

TIP

You can’t say, “there are no lines on the side of the nose”, too often. Your students will draw lines anyway. Don’t get frustrated. Just keep repeating this gently.

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STEP 4. Drawing the Model

Artists draw the model they just completed, but using no lines.
10 Minutes

LEARNING TARGETS

Students know how to draw a human nose

M A T E R I A L S

  • 14″ x 17″ sketch pad
  • Reference photo on stand
  • 2B pencil
  • Kneaded eraser

4.1 draw

Students create a soft drawing

Soft-draw the nose using only the side of your Ebony pencil or charcoal for soft shading. Areas can be dark, but no lines. NO. LINES. This won’t take much time because there’s almost NOTHING to actually draw. It should look like a shapeless blob. That’s the point.POINT: The nose, by itself doesn’t look much like a nose. It only looks right after it’s place in-between the eyes and the mouth. The reason is that there’s not much definition to it, so context is more important than accuracy.

4.2 draw

If you have time – draw simple eyes

Have students draw 2 simple cartoon-like eyes above their fuzzy nose. It should suddenly look a lot more like a nose.

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STEP 5. Reference

Students examine shadows and hidden shapes
10 Minutes

LEARNING TARGETS

Students know how to draw a human nose

M A T E R I A L S

  • 14″ x 17″ sketch pad
  • Reference photo on stand
  • 2B and 4B pencil
  • Kneaded eraser

5.1 print

Reference

Nose Info

Cut images apart and print enough for each student

Hand out reference prints.

PRINT

1 Page – Opens in new window

5.2 teach

Insights can help.

Explain these important insights before your class begins to work.

“Before you begin, let’s look at a few things in the reference.

  1. Cover up the eyes with a piece of scrap paper or slide it under the edge of your pad. Look at the nose by itself. It looks really weird! There’s really not much there except underneath the bottom. Well that’s what makes the nose come forward, the Off Shadow combined with some On shadows underneath the tip. Even when there are shadows on the sides of the nose, they are soft, and do not help it look like it’s coming forward.
  2. Turn the reference upside down. Do you see the shadow shape a little easier? That can help to draw things that are odd and shapeless, like the nose. You can also look for hidden picture-like shapes. Such as the heart shape of the overall shadow area.
  3. Spacing: Here’s something most everyone does, and that’s making too much space between the eyes and the tip of the nose. See how close together they are? Most artists think of the entire length of the nose, when they decide how much space to place between them, but the nose begins at the forehead, above the eyes. The eyes are on each side of the nose. Also, there is about one eye distance between the two eyes. Measure it and see.
  4. Rule: do not, under any circumstances draw lines or even shadows on the side of your nose and eye drawing today. Even if you think it would make it look better. Don’t do it. Just don’t.”
Teacher Talk

Read verbatim or paraphrase

Use this button to jump down to the preparation section.

STEP 6. Drawing

Artists will use the reference to practice drawing noses.
40 Minutes

LEARNING TARGETS

Students know how to draw a human nose

M A T E R I A L S

  • Reference from STEP 5 on stand
  • 2B and 4B pencil
  • Erasers
  • Sketch pad

6.1 Print

Reference

Nose Reference

Cut images apart and print enough for each student

Hand out reference prints.

Use this reference to draw.

PRINT

1 Page – Opens in new window

6.2 draw

 Students draw while you give more insights

Draw and shade using hatch shading. If students also blend with fingers or blending stumps, that’s ok. As they work, remind your artists one more time about how weird the nose really is.Don’t forget to encourage!  

“Anime and manga style cartoons don’t draw the sides of the nose. Some cartoons don’t even draw the nose at all! We look at smiley faces all day long and never worry about the lack of a nose.It’s just not the important part of the face. The important things are the eyes and they mouth. We put all of our expression into eyes and mouths, but the nose barely moves in even the most extreme expressions.So instead of working to make the nose “COME UP” out of the page, which most artists try hard to do, work to make the nose kind of invisible, so that it is LESS than it seems. No one pays attention to noses, so if you pay attention to it on a drawing, it looks weird. The nose IS pretty weird. The more you look at it the weirder it seems!”

Teacher Talk

Read verbatim or paraphrase

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STEP 7. Clean Up

Everyone helps!
2 Minutes

LEARNING TARGETS

Students know the importance of cleaning up

M A T E R I A L S

  • Paper Towels
  • Cleaning wipes
  • Sink
  • Waste baskets
  • Well-lit spot for photos
  • Camera or phone-camera

7.1 clean

Students clean up their work area.

  • Wash hands
  • Super-wash brushes if used
  • Put art supplies away
  • Wipe tables & toss trash
  • Remove any smocks (last)
  • Check for items on floors and tables

7.2 photos

Try to get photos of your student’s artwork. 

Find a good spot for quick lighting without highlights or shadows from your hands and device. Ideally in-between two strong lights on each side

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OBJECTIVES

  • Practice and improvement observation to draw accurately
  • Understanding how the nose is formed and shaded
  • Accomplishment in finishing a realistic drawing of eyes and nose, an extremely difficult but important image
  • Fulfillment in seeing improvement in drawing skills

TROUBLESPOTS

Trying to mash clay – Kids will attempt to mash clay with their whole hand while leaning on it. This doesn’t work because clay is too dense. It needs more time and several smaller & harder presses to change the shape.

Drawing lines – Students feel a need to define the sides of the nose. They will do so even when you say not to, so have them erase lines on each side of the nose when you see them. Tell them to trust you.

Too much space between the tip of the nose and the eyes – We almost always expect there to be a lot of extra space, mistaking the length of the nose from the eyebrow to the tip, and using that distance from the bottom of the eyes to the tip

ART WORDS

On Shadow – Also called form shadows. All depth is created by shading.

Off Shadow – also called cast shadows. All depth is created by shading.

CLASSROOM

PREP

Print all of your PDFs from the lesson plan and cut any references apart as needed.

What your room needs

Here are your printable lists and room prep instructions.

PRINT

Opens in new window

CLASSROOM

MATERIALS

  • 11” x 17” Copy Paper for placemat
  • Cheasel reference stand & clip
  • Modeling Clay
  • Camera or Camera Phone
  • Wipes
  • Paper towels

STUDENT’S

MATERIALS

  • 14×17” Sketch pad
  • 4B Pencil
  • White and Kneaded erasers
  • Ebony pencil
  • 2B Pencil

PREVIEW

Week 27: Mouth and Face

Students finish off a 3 lesson series on faces by drawing and discussing the mouth. Then, they will have fun creating an expressive face out of air dry clay that they will get to take home.

Week 28: Self Portraits

Students try out their face parts by drawing their own face using mirrors. This has the same 3D effect as using a live model and has been used by master artists for years.

Use this button to view our parent’s blog. Share the link: http://parentart.org, with your student’s parents so your they can read about the lesson each week.